A montage that pays tribute to some of the most recognizable faces in the history of cinema. From 1902 to 2019, in chronological order.
I edited and produced this montage commissioned by Netflix in 2020 to promote their catalog of original films, from ‘Roma’ to ‘Marriage Story’, celebrating the emotional moments that remind us why we fall in love with movies.
A tribute to Jean-Paul Belmondo (1933-2021), created and produced for Criterion.
“Why do you love cinema?”, a visual project exploring the importance of cinema in our lives.
"All Movies Are Connected", a supercut that weaves together scenes from iconic films that highlights the universal connections in cinematic storytelling.
Trailer for Criterion to celebrate the 62 films featured in the Criterion Collection included in the Sight & Sound magazine list of 100 greatest films ever, published in 2022.
criterionchannel.com/sight-sound-s-greatest-films-of-all-time
A visual essay highlighting the cinematic parallels between filmmakers Terrence Malick and Andréi Tarkovsky.
I was commissioned by Maya S. Cade, founder and editor of the Black Film Archive, to cut a trailer celebrating the first anniversary of the Black Film Archive, a living record of black films made between 1898 and 1989 currently streaming.
Black Film Archive (@theblackfilmarchive)
Inspired by Woody Allen’s Midnight in Paris intro, I filmed and edited this tribute to the magical city of Paris, where I spent a week in September 2019
Inspired by Kogonada's Wes Anderson // Centered: https://vimeo.com/89302848
I created this supercut to play with the powerful use of color in cinema by combining scenes from iconic films.
In this video essay, which I edited, produced, and created for Netflix Film, I explored director Antonio Campos’ unique approach across all his films, including Christine, Simon Killer, and Afterschool. In his new film, The Devil All the Time, Antonio Campos uses a distinctive visual style to highlight the deep loneliness and isolation felt by his characters.